Willard Gaylin Quotes
We occupy a space of our own creation-a collage compounded by bits and pieces of actuality arranged into a design determined by our internal perceptions, our hopes, our fears, our memories, and our anticipations.
Quotes to Explore
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My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.
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What in heaven's name is strange about a grandmother dancing nude? I'll bet lots of grandmothers do it.
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I love Darius Rucker. He's a true artist, a great songwriter who can play his instrument, sing and write about his life.
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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Save yourself some grief. Check with the publicist you hire to see what other books he/she has coming out at the same time as yours.
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We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
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I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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It's easy to show off if you are making plays all the time. But it's not me.
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To think that guys who grew up in the '60s would make a miniseries supporting the idea that Oswald acted alone is something I certainly wouldn't have predicted. But time and evidence can change the way we view things.
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Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about.
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The polls and the pundits and the media seem to talk to each other. It's sort of like an echo chamber.
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I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday.
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I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.
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I write novels and other things.
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Think on your toes, use what's around you, and come up with something organic and fun.
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I do secret stand-up shows around New York. I announce and tweet this to nobody - I get onstage and I do a quick five minutes.
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Let a man sow a field or plant a farm never so well, yet he cannot foretell who will gather in the fruits; another may build him a house of fairest proportion, yet he knows not who will inhabit it.
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I haven't seen much socially redeeming about religion. I'm an atheist. I don't here want to get into the Hitchens- or Dawkins-style attack on religion. I was raised on that. It's boring.
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I have lots of memories of my father. He was an incredible father. We all loved him to death.
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We all go back to our roots. My father went to the central west, went to Ilfracombe in 1919. He was the manager of the wool scour there. And, Ilfracombe was right at the heart of Australia's great wool industry, and my mother was a teacher at Winton.
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Perhaps marketing is about to transition to a new kind of profession, one that requires insight, dedication and smarts.
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It's cool to go places where working people are happy.
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The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.
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We occupy a space of our own creation-a collage compounded by bits and pieces of actuality arranged into a design determined by our internal perceptions, our hopes, our fears, our memories, and our anticipations.
