Aaron Kampman Quotes
That was very frustrating. But good play, bad play - you've got to play the next snap. You can't let it bother you.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I was taught to play that way when I was in high school and even before I got to high school.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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The debt we owe to the play of imagination is incalculable.
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Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski -
Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
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Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
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I would love to play a crazy Russian spy, run with a gun. That's something I would love to do.
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I play the keyboard, piano - I like making beats.
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When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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We used to have to arrange things around the dialysis. I would have to plan where to play so I could be back in time, and couldn't go too far.
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I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.
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Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility.
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True repentance is no light matter. It is a thorough change of heart about sin, a change showing itself in godly sorrow and humiliation - in heartfelt confession before the throne of grace - in a complete breaking off from sinful habits, and an abiding hatred of all sin. Such repentance is the inseparable companion of saving faith in Christ.
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That I was not dueling with the king, but trying to communicate with him, was itself an incommunicable fact.
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With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
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That was very frustrating. But good play, bad play - you've got to play the next snap. You can't let it bother you.
