Adrian Gonzalez Quotes
Quotes to Explore
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I aspire only to silence.
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I'm not some sort of tormented soul looking for an identity in the roles I take. I became an actress because I just love dressing up and playing.
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We artists have the dignity to tell the truth to the people, unlike politicians.
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Considering all the legal hassle child stars can be, I won't be surprised when they are phased out by CGI children voiced by adult actors.
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I have been Fat Joe since I was a kid. It's always been my name and always will be.
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Leaders know the importance of having someone in their lives who will unfailingly and fearlessly tell them the truth.
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The business models in enterprise have changed pretty dramatically. A huge problem with enterprise software traditionally has been usually you sell to the customer and then they adopt the technology. The great thing about 'freemium' and the new way enterprise software is being sold is you get to try it first and then buy it.
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The diverse sound of my music makes it a good fit for that demographic.
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The fight against international terrorism isn't just a fight against a bunch of misguided extremists; it is a fight to defend the values that we hold dear.
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I am an avid reader! As for writing, I might - someday. But we'll have to wait and see.
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The potential for regional conflict in the absence of an internationally active America is real.
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A war still rages over the legacy of the 1960s.
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I used to play - when I first started trying to be professional, I disk jockey from 1949 to 1955 in Memphis, Tennessee, and I was quite popular there as a disk jockey.
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I'd much rather be known as some curvy Kate than as some skinny stick.
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I believe myself to possess a most singular combination of qualities exactly fitted to make me pre-eminently a discoverer of the hidden realities of nature.
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I love going to the Via Giulia, a beautiful old cobbled street, which has a bridge at one end behind the Palazzo Farnese. It has long creepers hanging from it, and is the most evocative, beautiful place to stand and enjoy the city.
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My vigor, vitality and cheek repel me. I am the kind of woman I would run from.
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It was the 'Gaucho' album that finished us off. We had pursued an idea beyond the point where it was practical. That album took about two years, and we were working on it all of that time - all these endless tracking sessions involving different musicians. It took forever, and it was a very painful process.
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Bad people are, from the point of view of art, fascinating studies. They represent colour, variety and strangeness. Good people exasperate one's reason; bad people stir one's imagination.
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Feeling earthquakes was part of growing up, and also preparing for them: doing earthquake drills, or having earthquake supplies. The looming feeling was part of my life. My experience of earthquakes has always been more the fear of them, or the possibility.
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I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
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The cure of the part should not be attempted without the cure of the whole.
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You have to stay alert. You've got to keep raising your game.
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Once I get comfortable and feel a part of what I'm doing, I've always hit.
