William Friedkin Quotes
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
Quotes to Explore
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
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I am as passionate about the England team as anyone.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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Cooking for people is an enormously significant expression of generosity and soulfulness, and entertaining is a way to be both generous and creative. You're sharing your life with people. Of course, it's also an expression of your own need for approval and applause. Nothing wrong with that.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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The minute you succumb to outside pressure, you cease to be creative.
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If I see something new, I'd be like, 'Ooh, I want to do that.' The hunger to learn and do better never goes. Your mind is always working. You want to do so many creative things.
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She was deeply passionate about the sacred feminine.
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But the business side of it, as with most creative things, there is no room for business. It is about art. It's not about marketing.
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I do believe that there are creative chakras or different sorts of energy centers.
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I've never had an issue with studios. I believe in them as true creative partners in the process.
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I want a girl who's passionate, driven - a girl who believes in herself.
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I do love being solo because I can have more of my own creative input to every aspect of my career.
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There is creative reading as well as creative writing.
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If the creative artist worries if he will still be free tomorrow, then he will not be free today.
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Nothing you write is ever lost to you. At some other level your mind is working on it.
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By moderation one can be generous.
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We're in this space right now where things are very precarious for women and things in the States are so terrifying. There are so many rollbacks of rights women have gained - and it can happen quickly, more quickly than we think. I think it would be good for us to think back and ahead to protect the space we're in.
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When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
