Alante Kavaite Quotes
I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
Quotes to Explore
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I love observing people. Each face tells so many stories. It lets me understand emotions, and that, in turn, helps me apply my skills as an actor.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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I don't have a director. The audience directs me.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
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I've always been really involved in figuring out who my audience is and how to reach them.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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I like the ephemeral thing about theatre, every performance is like a ghost - it's there and then it's gone.
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My son Gautham usually doesn't watch my films. But he watched 'Srimanthudu' in the theatre.
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I'm left-brain dominant, so anxiety and nervousness don't affect me; most emotions don't.
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I want to do theatre and film and direct my own things and develop.
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I'm very driven, and I always have been. So I'd like to release a successful album, continue in musical theatre, and be more involved in business.
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You know, when I put out records that may not work or connect with the audience, it's because I'm pushing myself as an artist creatively, because I'm just bored doing what everyone wants me to do.
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The only theatre I ever saw was Shakespeare.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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Coming back to theatre is something I'm keen to do for the rest of my life. It recharges my batteries, so to speak.
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Got a degree in acting and actually double majored in musical theatre. And then I came straight to New York and started working.
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For 45 years I've worked without an audience.
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We always knew how to honor fallen soldiers. They were killed for our sake, they went out on our mission. But how are we to mourn a random man killed in a terrorist attack while sitting in a cafe? How do you mourn a housewife who got on a bus and never returned?
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Life is a cutup. And to pretend that you write or paint in a timeless vacuum is just simply . . . not . . . true, not in accord with the facts of human perception.
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The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is to resist the doubt; and the profoundest wisdom, to know when it ought to be resisted, and when it be obeyed.
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I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
