Tim Scott Quotes
Ensuring fairness in the American workplace should be a cornerstone of our economic policy.
Quotes to Explore
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I caught the acting bug from my dad.
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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I feel as if I've been fairly successful with maintaining a cohesive tone between the work I make as a photographer and as a director.
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It never seems to occur to some people, that, like beauty, a sense of humor may sometimes be fatal.
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I still can't believe that I've achieved what I have. It's like I've lived a dream for about five years now.
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Actually, I wanted to become a journalist, but no matter who I imagined myself to be in the future, somehow I was sure: I would leave my hometown. I felt it was my destiny.
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My friends always laugh because I'm the kind of person who bought the Brooks Brothers school skirt, even though it's not my school's uniform skirt, but just because I liked it. I'm a knee-high socks kind of person.
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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
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I don't make political work. I don't make work that criticises the state. I make as human work as I can.
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To equate a corporation with a person is a travesty of justice.
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My children have absolutely no interest in my fame. They're very sophisticated, and they have a spiritual perspective on material things because we go to church.
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The true sign of decadence is not the collusion of the university and the state (something that is by no means incompatible with honest barbarity), but the theory and guarantee of academic freedom, when in reality people assume with brutal simplicity that the aim of study is to steer its disciples to a socially conceived individuality.
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England and France were rivals, not only on the continent, but in the West Indies, in India, and in Europe.
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I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
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I expressed myself through hyperactivity and disruption. I wanted to play rather than study.
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We'd all like to be certain of what we know, but I think the most important question is to ask yourself do you really know what you know?
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Remember only the good, the bad will never forget you.
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During rehearsals I am confronted by things very mysterious. I have terrific fights with inner demons, and it's more painful than it ever was.
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What if capitalism is unsustainable, and socialism is impossible?
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The face of the night will be an old wound that reopens each evening, impassive and living. The distant silence will ache like a soul, mute, in the dark. We'll speak to the night as it's whispering softly.
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Imagine, as realistically as possible, the place where you want to be in the near future, the state you wish to reach and the Universe will help you and guide you.
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I've picked passion-driven businesses where I create a concept, or produce a film, from scratch. You have to be tenacious to overcome the constant objections.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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Ensuring fairness in the American workplace should be a cornerstone of our economic policy.
