Moliere Quotes
The maturing process of becoming a writer is akin to that of a harlot. First you do it for love, then for a few friends, and finally only for money.
Quotes to Explore
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There is no question that chemical weapons attacks are a heinous abuse of humanity and power. But to assume that military strikes are an effective retribution for the crime committed is wrong.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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Gangsta to us didn't have anything to do with Al Capone and stuff like that. It's just about living your life the way you want to live it. And you're not going to let nothing stop you.
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Anyone who is interested in the psychology of children will have observed that whereas one child will resist temptation or seduction, another will easily yield to it. There are children who will hardly oppose any resistance to the invitation of an unknown person to follow him; others who react in an opposite way in the same circumstances.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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I don't think our music has much to do with math rock.
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I don't think I can play Mr. Bachchan.
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You cannot survive if you do not know the past.
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The only time I can't sleep is on a plane, when I am literally keeping it in the air with my brain.
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A high IQ individual can't deal in an industry that's subjective.
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It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all, in which case you have failed by default.
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I'm not afraid of portraying anything on-screen.
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Writing humor for me is more like a watchful-ness. You have to watch. When you say something funny, or someone else does, it's more like you wait for the piece.
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It was to do with information management. The intention was to dramatise it.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
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'Giving 2.0' was born of my desire to redefine and democratize philanthropy.
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I'm a capitalist. I believe that people take risk, and there are rewards if they do well; they should lose if they don't.
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Not every brand needs to be on every social platform. Brands should have a very strategic objective, whether it's marketing or commercial. The biggest mistake a brand can make is to be on a social platform without a plan or the resources to manage it.
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People still say to me, 'What, you still live in Mexico?' I don't have to go to the United States simply to find work, and I don't have to stop what I'm doing. I mean, which Hollywood film beats 'The Motorcycle Diaries?'
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Because work takes up a lot of time, you have to choose your moments for really letting rip. I hang out with my friends and my family and I spend time with my kids when I'm not working. They don't see my being an actor as exotic. For them, it's just an everyday thing. Sometimes it's amusing to them and other times, embarrassing.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I hear it all the time in the street: 'It's the crisp bloke.'
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The maturing process of becoming a writer is akin to that of a harlot. First you do it for love, then for a few friends, and finally only for money.
