Mahatma Gandhi Quotes
As the State is a soulless machine, it can never be weaned from violence to which it owes its very existence.
Quotes to Explore
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A lot of places I go are dangerous, like Tel Aviv or Rio, but that never stops me from going there and putting on a show. I have good security. I don't worry about that.
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Everybody wants to laugh - you know that. They need to laugh... people need to laugh.
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After all those years in Asia, I don't have to do promotion anymore. We just release a Jackie Chan movie and - Boom! - people go.
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I don't try to just be a blues singer – I try to be an entertainer. That has kept me going.
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Love is the one wild card.
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Writing wasn't about making money. I wanted to find fulfillment in writing and telling stories, and that's what's driven me.
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I'm not a performer who will come on stage and tell you everything about my life. It's just not who I am.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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It's very important to me to love what I do. It was important to me to find a career that I truly enjoy. You can find something that sort of excites you, that's half the battle of life.
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I had a rat-tail when I was younger. I had this nice Bobby Brown fade, with a rat-tail that was long enough to wrap around my face. I used to chew on the end and bite it.
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The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.
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I did 'Are We There Yet?' because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
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Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
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If you do an autopsy on an 85-year-old who died of a stroke, you will find five other things that person was about to die from.
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I was born free.
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'Girls' feels very active and stirring a conversation and controversial, and you can't really ask for more as an actor.
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The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
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People were stopping me on the street to say, 'Oh my God, it's Crazy Eyes!' Which is kind of a funny thing to have people shout at you on the street.
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In Hiroshima, thirty days after the first atomic bomb destroyed the city and shook the world, people are still dying, mysteriously and horribly-people who were uninjured in the cataclysm from an unknown something which I can only describe as the atomic plague.
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I have found the study of organisms to be a truly exciting experience, always interesting and sometimes humbling.
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Calling gender violence a women's issue is part of the problem. It gives a lot of men an excuse not to pay attention.
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We control the machine. At one point the machine controlled us.
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The body is not the only target of rape. Violence does not always take a visible form, and not all wounds gush blood.
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As the State is a soulless machine, it can never be weaned from violence to which it owes its very existence.
