Benjamin Alire Saenz Quotes
Quotes to Explore
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I was just a kid, but I was a rotten kid.
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I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
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We are not merely passive pawns of historical forces; nor are we victims of the past. We can shape and direct history.
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I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
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I was playing the villain 'Falseface' on Batman, and I got wind that they were going to pay a young starlet $25,000 to be in the same episode. Well, I wasn't getting anywhere near that amount of money, so I refused to let them put my name in the credits.
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The discoveries of how we can grow and the insights we need to have really come from the inside out. To have genuine empathy, not as a make-nice tool but as an understanding, is essential to the next step.
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I am always relaxed.
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But when I hear a great song, I can't help but be inspired by it, regardless of whatever genre that song falls under.
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It's important for me to just be myself - in fashion. A lot of people overlook that side of me because they're scared of it, but that's just who I am.
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The pain is always bringing me a lesson. If I listen to the lesson when the pain is manageable, the pain won't get gargantuan and flatten me entirely, because I will have received the message at the center. I receive it as gently as I can, because the cruelest thing that I do to myself is try to push myself through an experience.
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The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.
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Don't say 'wife.' I'm your mistress. Wife's such an ugly word. Your 'permanent mistress' is so much more tangible and desirable… .
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My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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Cheeseburger in paradise!
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I agree with you that should work together in a bipartisan fashion, and I believe this work product is a result of a hard-fought compromise.
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I will obviously take on board everything from my past, I always do.
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Vocally and stylistically, we'd have different kinds of songs come on the radio, and people didn't realize it was the same band. A lot of the time, a casual fan would come see us and go, 'I didn't know that you guys did that song. I didn't know that was you!' That was us!
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If you are interested in ideas, radio is way more pure than television. You're not distracted by somebody's nose or hair or posture. You can really see how someone thinks and penetrate to the essence of who that person is.
