Richard Powers Quotes
A book is still atemporal. It is you, in silence, hearing voices in your head, unfolding at a time that has nothing to do with the timescale of reading. And for the hours that we retreat into this moratorium, with the last form of private and silent human activity that isn't considered pathological, we are outside of time.
Quotes to Explore
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I don't deal with the whole 'bad boy who doesn't call you.' That doesn't interest me at all, and I just look the other way.
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Usually it is uses of words, not words in themselves, that are properly called vague.
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Seek not the favor of the multitude; it is seldom got by honest and lawful means. But seek the testimony of few; and number not voices, but weigh them.
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I've never used my weight to get a laugh. That is, used my size as the subject for humor. You never saw me stuck in a door-way or stuck in a chair.
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The writer is all alone.
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If ever you wish to meet intellectual frauds in quantity, go to Paris.
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Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.
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As a director on 'The Office,' there's a tremendous weight that comes with directing features. I was being asked to direct a show that had already won an Emmy for Best Comedy. Steve Carell and the cast had already won the Screen Actor's Guild Awards.
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I said I didn't want to spend most of my life in Holidays Inns, but I've checked and they've all been redecorated. They're marvelous places to stay and I've thought it over and that's where I'd like to be.
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In the age of networked everything, life moves sideways and covers lots of ground while barely touching the earth.
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One billion grains of sand come into existence in the world each second. That's a cyclical process. As rocks and mountains die, grains of sand are born. Some of those grains may then cement naturally into sandstone. And as the sandstone weathers, new grains break free. Some of those grains may then accumulate on a massive scale, into a sand dune.
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If Caravaggio was a photographer today, I would love to work with him. I love his dark vision - I have a dark vision.
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I tell you, the paparazzi would not be sitting outside if they realized I was the most boring person in Hollywood.
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I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
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I came to the United States in the early '80s and was welcomed with open arms and given the opportunity to pursue my dreams. God has been very kind to us. My family and I are fortunate enough to be successful and we feel a tremendous responsibility and obligation to give back to our great country.
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I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet.
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I like normal stuff people fear - like spiders and heights. I'm frightened by the unknown, by things that are hard to figure out and get a grip on.
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When I was the NIH director, I often expressed envy of institute directors: they had the money and ran the scientific programmes.
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We should have a system of licensing and registration, we should treat firearms the same way that automobiles are treated so that people have to pass a safety test.
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The greatest danger hanging over our children and grandchildren is initiation of changes that will be irreversible on any time scale that humans can imagine.
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A book is still atemporal. It is you, in silence, hearing voices in your head, unfolding at a time that has nothing to do with the timescale of reading. And for the hours that we retreat into this moratorium, with the last form of private and silent human activity that isn't considered pathological, we are outside of time.
