Camille Henrot Quotes
I think art must be the place where you are protected from the logic of the outside world.
Quotes to Explore
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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When I'm in 'Man vs. Wild' mode, it's not pleasure. Every sensor is firing and I'm on reserve power all the time and I'm digging deep - and that's the magic of it as well, and that's raw and it's great.
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I think that Amanda Nunes and Julianna Pena and Valentina Shevchenko... they've showed how much this level has gone up in female fighting in a very short period of time.
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The people are more important than the food. We want a person to be as successful as he can be, and it works the other way around, too.
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I think the Bush Administration was bound and determined on regime change, and we will be paying the price of that for some time to come.
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I'm at the point age-wise where I've decided it's time to pass the baton to people who have several terms in front of them and have the energy and the excitement and the engagement that is necessary to carry it on.
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There is precious little in civilization to appeal to a Yeti.
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A mad, keen photographer needs to get out into the world and work and make mistakes.
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The limelight is a tricky place, because you can't believe what's going on around you. You stop observing. You stop perceiving. You stop extending yourself, and you become isolated.
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If the part isn't always there on the page, I've had good relationships with writers where there's an openness to bring more to the role.
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I think TV is much more the writer's medium and film is about the director and their vision and how you can collaborate with them and see that through to the end. They are so different.
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Simplicity is not so simple to attain.
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Social phenomenology is the science of my own and of others' experience. It is concerned with the relation between my experience of you and your experience of me. That is, with inter-experience. It is concerned with your behaviour and my behaviour as I experience it, and your and my behaviour as you experience it.
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Politicians use statistics in the same way that a drunk uses lamp-posts-for support rather than illumination.
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The reading public isn't born that doesn't think foreigners are either funny or faintly sinister.
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My life is the land, the dogs, the car, the motorcycle, the pond, the canoe, going to pick up mail. It's just a rural retreat that I enjoy.
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One of the big ways in which I felt my own writing life shaped by recovery had to do with my relationship to other people's stories. And one of the things I loved most about recovery was the way in which, in meetings and through fellowship, you are constantly kind of paying attention to lives outside of your own.
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I was watching Orson Welles and Jean Vigo films at a ridiculously young age.
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I don't like flying at the best of times. And as I get older, I like it less and less. I don't much like driving, either. I prefer to be driven. And, when I'm in London, I don't even like walking on the street. I can never get used to looking the right way when I cross the street.
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I always carry a tinted moisturiser with SPF sunscreen. A good lip balm is a must - I can't go past Lucas's Papaw Cream.
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You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.
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Any clod can have the facts; having opinions is an art.
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I think art must be the place where you are protected from the logic of the outside world.
