Rita Hayworth Quotes
Who wouldn't prefer having breakfast in bed to getting up at the crack of dawn and having a cup of coffee in a studio makeup department?
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I prefer to be in a video than to play with it.
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We allow no geniuses around our Studio.
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I write in the studio.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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I prefer doing feature films.
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I love having a lot of content. I prefer to have constant stimulation.
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Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein – you know, popcorn movie.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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As far as I'm concerned I prefer silent vice to ostentatious virtue.
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I'm a studio rat. I like going in there as producer.
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The studio people want me to do 'Good-bye Charlie' for the movies, but I'm not going to do it. I don't like the idea of playing a man in a woman's body - you know? It just doesn't seem feminine.
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I prefer to live in a rented house. No ties. Nothing around my neck. Just the minimum kind of bare comforts of home.
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If anybody said that I should die if I did not take beef-tea or mutton, even under medical advice, I would prefer death.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
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None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
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It is easy to sit up and take notice, What is difficult is getting up and taking action.
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We were all off our faces on mushrooms when we recorded Plug In Baby... There was this big field next to the recording studio filled with them. So we ate them all. I don't know what we were doing, but we all ended up naked in a jacuzzi and I went deaf in one ear from falling asleep in the sauna...
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It's a bizarre but wonderful feeling, to arrive dead center of a target you didn't even know you were aiming for.
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It is the rare fortune of these days that one may think what one likes and say what one thinks.
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Who wouldn't prefer having breakfast in bed to getting up at the crack of dawn and having a cup of coffee in a studio makeup department?
