Bessel van der Kolk Quotes
Games like Simon Says lead to lots of sniggering and giggling—signs of safety and relaxation. When teenagers balk at these “stupid games,” we nod understandingly and enlist their cooperation by asking them to demonstrate games to the little kids, who “need their help.
Quotes to Explore
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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If the lyrics are something new, then maybe I want to give it a more traditional form, or the other way around, but not have all one or the other.
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Jesus is an example. We have other examples, including many of our ancestors as role models who understood the inner meaning of our orientation.
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I'm terrified about psychic people who have their little shops. I always walk across the street and go somewhere else. Imagine if one of them came out with their face all pale and said, 'Hurry up and enjoy yourself.' No one wants to know that.
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The art world is a very prissy little thing over in the corner, while the major cultural forces are being determined by techno science.
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If you tell the truth you get into trouble, and that's why politicians are extremely dull.
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I think every girl's dream is to find a bad boy at the right time, when he wants to not be bad anymore.
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Ultimately life is disease, death and oblivion. It's still better than high school.
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I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter.
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We were like a stock company at Warners. We didn't know any of the stars from the other studios.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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America always pivots between collective responsibility and the idea that the individual can pull himself up by his bootstraps.
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The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.
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Singing and being truthful to a song... I've developed that skill, and I know how to do that real instinctively, that's all I've been doing for the last 25 years.
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We see the moon, don't we? So it's our eye. Animals see us, don't they? So we're their animals.
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The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.
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In friendship there is nothing more outstanding than faithfulness, which seems to be both the nurse and guardian of friendship.
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I am like a freight train. Working on the details, twisting them and playing with them over the years, but always staying on the same track.
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A plague on eminence! I hardly dare cross the street anymore without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo; and zoo animals have been known to die from stares.
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I doubt I'll ever do another book collaboration; I've been spoiled. Roger and I both happened to move to New Mexico at about the same time, when we each had a family of young kids to raise. Socializing seemed to lead naturally to working together.
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What I remember most vividly was the sense of always being a little behind the other kids in class - that sense of I wasn't cut out for class or I wasn't cut out to read.
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Games like Simon Says lead to lots of sniggering and giggling—signs of safety and relaxation. When teenagers balk at these “stupid games,” we nod understandingly and enlist their cooperation by asking them to demonstrate games to the little kids, who “need their help.
