Celia Imrie (Celia Diana Savile Imrie) Quotes
Quotes to Explore
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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Corruption is worse than prostitution. The latter might endanger the morals of an individual, the former invariably endangers the morals of the entire country.
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Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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I thought Jimi Hendrix... was just phenomenal.
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I'm a fast writer.
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I picture my books as movies when I get stuck, and when I'm working on a new idea, the first thing I do is hit theaters to work out pacing and mood.
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I have a mental coach in Korea, and I talk to her every week before the tournament, during the tournament and try to talk to her and try to get a little bit of the pressure off.
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When my children say, 'In the future, Mummy, will things get better or worse for humanity?' I say: 'Who knows, since Amy Winehouse died. It's all in the air now. Eat your broccoli.'
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Happiness is having a scratch for every itch.
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The pursuit of perfection always implies a definite aristocracy, which is as much a goal of effort as a noble philosophy, an august civil polity or a great art.
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I've become very, very liberal as far as war is concerned. It's just too terrible. I've been to wars and I've seen what happens. I know what it is to be hurt, and it's nothing compared to these guys. To be blind for the rest of your life. To have prosthetic limbs.
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I didn't have evil intentions, but I guess I did have power.
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Privacy and encryption work, but it's too easy to make a mistake that exposes you.
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I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.
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I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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My thing is to execute the given play, execute the game plan to the best of my ability. If the option is for me to make a play when I have to, I will. Or I'll put myself in the best situation to do so.
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You do not pay the price of success, you enjoy the price of success.
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California lacks a lot of the rules and restrictions the East has. Every house is a different style, different material, different color. There's a lot of craziness out there.
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A man's action is only a picture book of his creed.
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I would eventually like to write and star in my own stuff. I think I have a good comedic sense, so I'd like to follow that road. I don't know what the future holds, but whatever I do, I'll commit.
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On a film, I was always acting. I was either changing my clothes really quickly and wiping off the lipstick and putting on the other lipstick and then working constantly, constantly.
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For the most part, Hollywood is very transactional. People want to make movies and television shows.
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Anyone who goes on the stage is a show-off, aren't they? Acting's weird.
