Celia Imrie (Celia Diana Savile Imrie) Quotes
Quotes to Explore
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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Corruption is worse than prostitution. The latter might endanger the morals of an individual, the former invariably endangers the morals of the entire country.
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Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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I thought Jimi Hendrix... was just phenomenal.
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I'm a fast writer.
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I picture my books as movies when I get stuck, and when I'm working on a new idea, the first thing I do is hit theaters to work out pacing and mood.
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I have a mental coach in Korea, and I talk to her every week before the tournament, during the tournament and try to talk to her and try to get a little bit of the pressure off.
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When my children say, 'In the future, Mummy, will things get better or worse for humanity?' I say: 'Who knows, since Amy Winehouse died. It's all in the air now. Eat your broccoli.'
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The pursuit of perfection always implies a definite aristocracy, which is as much a goal of effort as a noble philosophy, an august civil polity or a great art.
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I've become very, very liberal as far as war is concerned. It's just too terrible. I've been to wars and I've seen what happens. I know what it is to be hurt, and it's nothing compared to these guys. To be blind for the rest of your life. To have prosthetic limbs.
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I didn't have evil intentions, but I guess I did have power.
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Privacy and encryption work, but it's too easy to make a mistake that exposes you.
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I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.
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I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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My thing is to execute the given play, execute the game plan to the best of my ability. If the option is for me to make a play when I have to, I will. Or I'll put myself in the best situation to do so.
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You do not pay the price of success, you enjoy the price of success.
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Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.
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I actually really love to work out. You need to find what you love.
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The writer needs to react to his or her own internal universe, to his or her own point of view. If he or she doesn't have a personal point of view, it's impossible to be a creator.
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Difficult but worth it-- that's how my mother had once describe life with Omi.
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There is the eternal war between those who are in the world for what they can get out of it and those who are in the world to make it a better place for everybody to live in.
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The Indian audience is getting exposed to world cinema and realising the power of unique plots and distinct characters.
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Anyone who goes on the stage is a show-off, aren't they? Acting's weird.
