Grace Slick Quotes
My solo albums were each like a half-finished puzzle; they represented only the beginning of a full picture. Simply put, they were inadequate and incomplete.
Quotes to Explore
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I am not influenced by the techniques or fashions of any other motion picture company.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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I'd like very much to make a confident picture. I would like to be as good as nature, which, with a shower, produces flowers and grass to cover the destruction. But we are surrounded by human fragmentation, by pessimism, and it is difficult to talk of other things.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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It's hard for young players to see the big picture. They just see three or four years down the road.
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I'm not someone who likes to have my picture taken, let alone see it plastered all over the place.
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Acting is a talent, but I like to see the whole picture.
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Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
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I don't let my picture be taken. I'm on too many hit lists.
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I do not believe the picture that some people paint of Scottish towns dependent on welfare. Every time I come here, I meet people who are determined to get into work. Who, with the right help are desperate to get off benefits, support their family and set an example for their children.
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In the world of late-night comics, Letterman made us feel any hometown boy from Indianapolis could poke fun at celebrities and politicians and do it right to their faces.
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'Ravenna' is, in many ways, the ultimate example of how a woman's perception of herself can lead to this horrible road being taken.
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I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
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We just couldn't stop them and they kept scoring? It was everything. We couldn't stop anything. We just didn't bring it today.
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My solo albums were each like a half-finished puzzle; they represented only the beginning of a full picture. Simply put, they were inadequate and incomplete.
