Tony Palermo Quotes
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.
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I can do whatever I want.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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My body believes a famine is imminent and has begun stocking up on provisions. These supplies are being stored around my waistline. I've tried explaining to my stomach that this is entirely unnecessary: I've never once, not even when I was in college and more broke than the E.U., done any actual starving.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him.
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I auditioned in Chicago for Juilliard and didn't get in. I was basically living in a back room of my parents' house, paying rent and not doing anything with my life. I'd like to say it was patriotic to join the Marines, but it was also that I was doing nothing honorable with my life and spending too much time at McDonald's.
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I came back out here from England and I was there for a while and it was beautiful and it is just great to see London going from Spring to Summer and Autumn.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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It has been a motto of mine my whole life - just be yourself.
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Golf is a puzzle without an answer. I've played the game for 40 years and I still haven't the slightest idea how to play.
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You're in the public eye and you just hope that people don't come up and interrupt you while your in the middle of a meal or a conversation or something like that.
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I've always been drawn to writing for young readers. The books that I read growing up remain in my mind very strongly.
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Creativity is very much like literacy. We take it for granted that nearly everybody can learn to read and write. If a person can't read or write, you don't assume that this person is incapable of it, just that he or she hasn't learned how to do it. The same is true of creativity.
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What I love about sci-fi is that every generation's films are based on what we know at that point in time. We make movies about the future, but it's always based on what we have. Then, as science grows and we discover new things, so do our ideas.
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The outbreak of a socialist revolution in one country will cause the others to imitate it or so to strengthen the proletariat as to prevent its national bourgeoisie from attempting any armed intervention.
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I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.
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I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
