Chris Campanioni Quotes
I want the reader to get the feeling that the text is trying to rearrange itself, upon every reading or in the act of reading. I don't want the presentation of narrative; I want a life told out of order.
Quotes to Explore
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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I was just as voracious a writer as I was a reader.
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Butler's novel 'Kindred' may be the book most widely read by readers outside science fiction; it has been assigned as a text in classrooms and has sold steadily since its publication in 1979.
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It's not about what you tell the reader, it's about what you conceal.
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I feel disconnected, like I don't know where I am, if I'm on my phone too much. I'm also just the type to call. I'm not good on text.
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If you are lucky enough to have a parent or two alive on this planet, call them. Don't text; don't e-mail. Call them on the phone.
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I'm trying to stay focused on what I'm doing. I don't want a whole lot of things going on - people to call back, or text messages or whatever. I chill out, relax a little bit, and then I don't have those issues.
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Octavia Butler often described herself as an outsider, but within science fiction, she was loved as an insider, someone who was a fan first and came to S.F. writing as an enthusiastic reader.
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When you work on a text of a lesser quality, as the interpreter or the delivery person, you are obliged to try to fill it out as you see so many people do in lesser work.
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Down on the ground, we seem to do anything but make lengthy, robust monologues. We can communicate in an instant almost anywhere. Gone is the slow old letter - itself a monologue, a sort of considered performance of best self - and in its place is the e-mail, the text, the SMS, the tweet.
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I met Kim Kardashian the other week, and she knew who I was! I walked in the room, and she was like, 'I should text Kanye saying you're here; he showed me your music.' It's really hard to digest. Also, I don't think you should digest stuff like that.
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You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
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People are drawn to preaching that is passionate and offered with conviction. Passion comes when the preacher has spent significant time with the text, and when God has spoken through the text in a way that addresses the preacher's life first.
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In our daily lives as programmers, we process text strings a lot. So I tried to work hard on text processing, namely the string class and regular expressions. Regular expressions are built into the language and are very tuned up for use.
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In the fields with which we are concerned knowledge exists only in lightning flashes. The text is the thunder rolling long afterwards.
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A book is not necessarily made of paper. A book is not necessarily made to be read on a Kindle. A book is a collection of text, organized in one of a variety of ways. You could say that words printed on paper and bound between cloth covers will someday be obsolete. But if and when that day comes, there will still be a thing called books.
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I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
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I once received a letter from an old lady in California who informed me that when the tired reader comes home at night, he wishes to read something that will lift up his heart. And it seems her heart had not been lifted up by anything of mine she had read. I think that if her heart had been in the right place, it would have been lifted up.
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On 'Y Tu Mama Tambien,' we started exploring shots that are longer, where the camera is moving around the actors, and there are no cuts, and you feel like you're there.
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I want the reader to get the feeling that the text is trying to rearrange itself, upon every reading or in the act of reading. I don't want the presentation of narrative; I want a life told out of order.
