Courtney Milan (Heidi Bond) Quotes
If your point of reference is a glimpse you’ve caught of a business transaction conducted in an alley, I’d venture that you have no idea what I can do with a wall.
Quotes to Explore
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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Over and over I'm on the point of giving it up.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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Murderers, in general, are people who are consistent, people who are obsessed with one idea and nothing else.
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At some point, you decide to take something you really like and turn it into a business you love.
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I like to release music the way I feel it, as opposed to having a date. The idea of dates, boxes, categories are very scary for me.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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I like the idea of the comedy of resilience.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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I really hate bureaucracy and the idea that I'm not a free person.
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I'm almost numb to misogyny at this point. It's just everywhere.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
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The idea was always to be an actor.
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Good psychology should include all the methodological techniques, without having loyalty to one method, one idea, or one person.
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Gifts must affect the receiver to the point of shock.
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In general, lives seem to veer abruptly from one thing to another, to jostle and bump, to squirm. A person heads in one direction, turns sharply in mid-course, stalls, drifts, starts up again. Nothing is ever known, and inevitably we come to a place quite different from the one we set out for.
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Relativism is neither a method of fighting, nor a method of creating, for both of these are uncompromising and at times even ruthless; rather, it is a method of cognition.
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People always say there's no such thing as bad publicity, and you always think they're right, because it seems self-evident: nobody's going to buy a magazine that nobody ever talks about, so people should want to buy a magazine that everybody's talking about.
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You really can change the world if you care enough.
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If your point of reference is a glimpse you’ve caught of a business transaction conducted in an alley, I’d venture that you have no idea what I can do with a wall.
