Courtney Milan (Heidi Bond) Quotes
If your point of reference is a glimpse you’ve caught of a business transaction conducted in an alley, I’d venture that you have no idea what I can do with a wall.
Quotes to Explore
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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Murderers, in general, are people who are consistent, people who are obsessed with one idea and nothing else.
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At some point, you decide to take something you really like and turn it into a business you love.
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I like to release music the way I feel it, as opposed to having a date. The idea of dates, boxes, categories are very scary for me.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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I like the idea of the comedy of resilience.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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I really hate bureaucracy and the idea that I'm not a free person.
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I'm almost numb to misogyny at this point. It's just everywhere.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
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Good psychology should include all the methodological techniques, without having loyalty to one method, one idea, or one person.
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Death destroys a man, but the idea of death saves him.
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It's such a crass idea - you're either in love or out of love.
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So 'The Last Airbender' 's philosophy and culture feels like a beautiful idea to me: That we inherently have connections to the elements and what they teach us, and to each other.
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Every idea is an incitement... eloquence may set fire to reason.
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As much as I love to dive into the action early, I think the hero's journey is important - the idea that the reader needs to experience the protagonist's everyday life before you turn that world upside down.
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It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
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We are rather like children, who must take a watch to pieces to see how it works.
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We are seeing the cells of plants and animals more and more clearly as chemical factories, where the various products are manufactured in separate workshops.
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I was often in the pit lane, the noise was indescribable and I've no doubt that is why my hearing was affected.
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If your point of reference is a glimpse you’ve caught of a business transaction conducted in an alley, I’d venture that you have no idea what I can do with a wall.
