Hans-Ulrich Obrist Quotes
I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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The miniatures of the Mughal period are really the pinnacle of Indian artistic achievement. And not a single one of those paintings is done by an individual artist.
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The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
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I do think you get lonelier and lonelier being an artist as you get older.
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As an artist, I can't be responsible for how people interpret material.
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No genuinely avant-garde artist should ever be on the government dole.
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An artist can be truly evaluated only after he is dead. At the very 11th hour, he might do something that will eclipse everything else.
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100% of Net-a-porter customers have a man in their lives in some capacity, and 59% are married or living with a partner.
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Intermarriage is not a calamity but an opportunity for both a Jewish and non-Jewish partner to learn.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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In education, technology can be a life-changer, a game changer, for kids who are both in school and out of school. Technology can bring textbooks to life. The Internet can connect students to their peers in other parts of the world. It can bridge the quality gaps.
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Even though many couples are choosing to marry later in life, our laws haven't been updated to address dating partner abuse.
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Mike Tyson would have been a good sparring partner for me and Muhammad Ali because Tyson was a fast fighter and he could punch and throw good combinations.
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A good artist should be isolated. If he isn't isolated, something is wrong.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
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Some people say hybrid vehicles such as the Prius are only a bridge to the future ... but we think it could be a long bridge and a very sturdy one. There are many more gains we can achieve with hybrids.
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I didn't come after Elvis and Dylan, I've been around always. But if I see or meet a great artist, I love them.
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We have this huge discourse on family in this country, but no one deconstructs it the same way. People talk about "the American family." The right wing has this thing - Focus on the Family. What the hell is that? I don't want to just discuss the issues - I want family to be a real part of the character of the novels I write, and I don't like to write things that feel like issue books.
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The banjo is truly an American instrument, and it captures something about our past.
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When I was a kid, I played 'Super Mario Bros' and 'Megaman 2' and '3' for hours and hours, trying to convince my mother they were good for me because they helped my hand-eye coordination. They influenced a whole generation of people to make computers what they are now, through problem-solving and so on.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
