Erin McKeown Quotes
Mostly, the people in "the room" are paid lobbyists representing interests that could afford to pay them. No wonder policy isn't being made that helps smaller, independent musicians or those unaffiliated with a larger entity.
Quotes to Explore
-
Nothing is over and done with. Nothing. Not even your malice.
-
The doors between the old man today and the child are still open, wide open. I can stroll through my grandmother's house and know exactly where the pictures are, the furniture was, how it looked, the voice, the smells. I can move from my bed at night today to my childhood in less than a second.
-
I have a classic taste with a twist, because classic never goes away.
-
Depression is something that doesn't just go away. It's just... there and you deal with it. It's like... malaria or something. Maybe it won't be cured, but you've got to take the medication you're prescribed, and you stay out of situations that are going to trigger it.
-
Being taken seriously, for a young writer, is a wonderful form of encouragement, but at the same time, I don't think one should ever feel like attempting a kind of artistic endeavor is beyond your scope just because of age or inexperience.
-
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
-
When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
-
It always annoys me when stars grumble about fans coming up to them in the street. I love it. These young stars today with all their airs and graces, they need to remember it is an honour and a privilege to make money from acting. How hard is it?
-
The bad reviews get to me, believe me.
-
I feel like all the parts are seniors in high school and seventh graders, and I think I kinda skipped that awkward stage by not working those years.
-
The book to read is not the one which thinks for you, but the one which makes you think. No book in the world equals the Bible for that.
-
There are a lot of people who consider themselves 'spiritual,' but that can mean a lot of things to a lot of people. I don't really talk about it that often, because there's too much talk in the world. Especially with Christians, there's more proselytizing than there is actual living proof of it. That's kind of sad.
-
The herd instinct among forecasters makes sheep look like independent thinkers.
-
The National Surveillance State doesn't want anyone to be able to communicate without the authorities being able to monitor that communication.
-
I've had a few conversations with people who are horrified: who tell me my work is demeaning, is sexist, is negative.
-
When you're the victim of the behavior, it's black and white; when you're the perpetrator, there are a million shades of gray.
-
For women who turn to welfare, Big Brother becomes Husband.
-
I've always adored my father's music, but ever since I'd started singing, whether it was while I was still a student at the University of Massachusetts or professionally, I avoided Dad's material.
-
You're not human if you don't feel fear. But I've learnt to treat fear as an emotion that sharpens me. It's there to give me that edge for what I have to do.
-
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
-
Going through puberty, that Cape Canaveral of the hormones, young girls are in love with the idea of being in love, trying it out for sighs.
-
I think very often the price paid for a work is the trophy itself.
-
My philosophy is very simple. To feel young, you must work as long as you can.
-
Mostly, the people in "the room" are paid lobbyists representing interests that could afford to pay them. No wonder policy isn't being made that helps smaller, independent musicians or those unaffiliated with a larger entity.
