Bun B (Bernard James Freeman) Quotes
I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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Film has to describe and show.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I've only used my own voice about four times on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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If the money's right, I'll do a film.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I studied business and also studied film, then I graduated, and I worked at a network. I was able to use my business skills there - I was an associate producer for a little bit.
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I was influenced by European movies, old Fellini, old Kurosawa - any sort of foreign film.
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Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.
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I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.
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I don't care who you are or what you have gone through - everyone has something they are fighting for.
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I don't have a lot to offer one person. I have a lot to offer to a lot of people.
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Fishes that tipple in the deep, Know no such liberty.
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I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
