Oneohtrix Point Never (Daniel Lopatin) Quotes
The subject is missing from 'Replica' - it's about malleability of materials, and working with metaphor, and sculpting in time. So that makes a collaboration with another person who pushes sound in a sculptural way appealing, because you're like, 'Let's see what dimensionality is introduced from this other perspective that I might not have.'
Quotes to Explore
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It is shallow people who think beauty is frivolous or excessive. If you are bringing beauty and god, you are enriching the country. Rice feeds the body, books feed the mind, beauty feeds the soul. It is one thing I can really be proud of and stand tall in the world.
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I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
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I really like funny women. I'm drawn to women like Tina Fey and Amy Poehler and Kristen Wiig, Amy Schumer. They're writers, they're producers, they're actresses. They're brilliant, funny, excellent women.
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I turned a lot of people in white America - and not just white America, but middle-class America - into hip-hoppers, you know?
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There is always shame in the creation of an object for the public gaze.
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I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
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Yeah... I was a singer as a kid. I had a lot of stage fright, and what's happened with 'Idol,' it has got me past so much of that.
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I go to the pub, hang out with my family - that's pretty much it. I also do a lot of sports when I get the chance. I'm actually a pretty mellow guy.
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The great thing about having a pool in L.A. is that I can use it year-round. And since I've always been an athlete, staying fit is very important.
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But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time. The style of filmmaking and the performances... you don't feel like you're watching a film.
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I cook chicken for a living.
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Don't romanticise your 'vocation.' You can either write good sentences or you can't. There is no 'writer's lifestyle.' All that matters is what you leave on the page.
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To me, evil comes when you have a choice between that and good, and you choose the wrong way.
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I wanted to become a kindergarten teacher like my mother.
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I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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I hate jealousy, I hate possessiveness. I'm nobody's possession.
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I think the world is ready for some rock 'n' roll. Some real time guys that play their own instruments, write their own songs, and sing the music and have a good time doing it.
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I have long been active in and supportive of conservation and historical preservation causes.
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To be excited and at the same time satisfied; to desire and possess -that has been described somewhere as the wise man's idea of heaven.
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I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.
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I want atheism to be true and am made uneasy by the fact that some of the most intelligent and well-informed people I know are religious believers. It isn't just that I don't believe in God and, naturally, I hope that I'm right in my belief. It's that I hope there is no God! I don't want there to be a God; I don't want the universe to be like that.
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I'd like to imagine that in order to beat me a person would have to play almost perfect tennis.
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The subject is missing from 'Replica' - it's about malleability of materials, and working with metaphor, and sculpting in time. So that makes a collaboration with another person who pushes sound in a sculptural way appealing, because you're like, 'Let's see what dimensionality is introduced from this other perspective that I might not have.'
