Dawn Lundy Martin Quotes
With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
Quotes to Explore
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I like watching films that can play in any language because they're essentially silent.
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You've got to really be able to accept the rejection.
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I'm just little me, an American who wants to see his country do better.
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Look. Art knows no prejudice, art knows no boundaries, art doesn't really have judgement in it's purest form. So just go, just go.
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I love people, and the hustle.
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Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
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They hate whom they fear.
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I keep on 5 to 10 pounds above my jeans weight, as the ultimate no-filler-needed refresher, and buy a size up on jeans.
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Maybe if I could ever be a successful comedian then I could be an example that Christians can also have fun.
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Unemployment determination in a modern economy was the main subject area of my research from the mid-1960s to the end of the 1970s and again from the mid-1980s to the early 1990s.
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As the country now turns a new leaf, our ambition is to give hope to each and every Afghan.
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My whole life, I feel so blessed. I met my wife: I can't get over that I got so lucky. I have two incredible children. I can't believe that I've been so blessed. I've had a career that is way past anything that I've ever dreamed. I get to work in all these different areas with such extraordinary people on every level.
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Nobody understands me, I'm really sensitive.
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The more we elaborate our means of communication, the less we communicate.
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My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the 'Pinkerton' tour, and 'Pinkerton' is the reason why I'm doing this.
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We are all in the gutter, but some of us are looking at the stars.
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Things you create with your mind are always part of your postmortal life, whether they seem real or not.
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They are always asking a writer why he does not write like somebody else, or a painter why he does not paint like somebody else, quite oblivious of the fact that if either of them did anything of the kind he would cease to be an artist.
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I never enjoyed life in my twenties, not one minute of it. It was a test of endurance that I'm surprised I survived. Professionally, of course, I was doing very well but personally it couldn't have been worse or more difficult for me if I'd been living in a mud hut in Leeds.
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I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
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If we define Futurism as an exploration beyond accepted limits, then the nature of limiting systems becomes the first object of exploration.
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With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
