Deborah Smith Quotes
Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
Quotes to Explore
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Fiction reveals truth that reality obscures.
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That's maybe the most important thing each generation does, is to break a lot of rules and make up their own way of doing things.
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To people of my generation, the picture show was really another dimension - sensual, whimsical. No uniforms or collective rites, but a place where little boys like me could laugh and feel free.
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When it comes to boys and her weight, I think Ellenor is much more conservative than I am, and she has not had the dialogue I have had about my weight.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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My generation of Americans was the first to really care about racism and sexism, not to mention the I Ching, plus, of course, the Earth.
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Occasionally I write a small piece or the odd lecture in English, and I teach in English, but my fiction is always written in German.
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The trimmings of wealth are not as important to me and my generation as they were to my parents' generation.
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My dad came from Cuba when he was a teenager not speaking English. And I grew up here speaking Spanglish. That's the world in which I grew up, and that's a world in which a lot of second generation immigrants find themselves.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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I want to reach a new generation. That's why I am Twittering now. I have a BlackBerry, an iPhone and a Mac.
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Max Allan Collins blends fact and fiction like no other writer.
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I believe humankind has looked at Climate Change in that same way: as if it were a fiction, happening to someone else’s planet, as if pretending that Climate Change wasn’t real would somehow make it go away.
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I think that we should take the tragedy that happened in Newtown and have a full comprehensive dialogue about all issues, whether it has to do with mental health, whether it has to do with the social decline of our young people and some of the things that they are exposed to, whether it has to do with the firearms and guns.
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Star Wars - the movie I saw 12 times as a 17-year-old. The movie that began a cultural and creative universe that now spans generations. For me to be a part of this in The Clone Wars is a dream come true.
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Critique by creating.
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I read a lot of comic books and any kind of thing I could find. One day, a teacher found me. She grabbed my comic book and tore it up. I was really upset, but then she brought in a pile of books from her own library. That was the best thing that ever happened to me.
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To me, the real marks of beauty in a woman are courage, character, kindness, and personality.
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Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
