Deborah Smith Quotes
Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
Quotes to Explore
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I'm a member of the 1960s generation. We didn't have any wisdom.
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Fiction reveals truth that reality obscures.
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I will go down as the voice of this generation, of this decade, I will be the loudest voice.
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That's maybe the most important thing each generation does, is to break a lot of rules and make up their own way of doing things.
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To people of my generation, the picture show was really another dimension - sensual, whimsical. No uniforms or collective rites, but a place where little boys like me could laugh and feel free.
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When it comes to boys and her weight, I think Ellenor is much more conservative than I am, and she has not had the dialogue I have had about my weight.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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I've got weird conflicting feelings about my generation.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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My generation of Americans was the first to really care about racism and sexism, not to mention the I Ching, plus, of course, the Earth.
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Occasionally I write a small piece or the odd lecture in English, and I teach in English, but my fiction is always written in German.
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The trimmings of wealth are not as important to me and my generation as they were to my parents' generation.
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My dad came from Cuba when he was a teenager not speaking English. And I grew up here speaking Spanglish. That's the world in which I grew up, and that's a world in which a lot of second generation immigrants find themselves.
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There is a sacredness in tears. They are not the mark of weakness, but of power. They speak more eloquently than ten thousand tongues. They are the messengers of overwhelming grief, of deep contrition, and of unspeakable love.
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If I had been told to get out of the street as a teenager, there would have been a distinct possibility that I might have smarted off. But, I wouldn't have expected to be shot.
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If the presence of electricity can be made visible in any part of the circuit, I see no reason why intelligence may not be transmitted instantaneously by electricity.
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Trust Yourself and Believe, Whatever Happens Don't Give Up.
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Dig -- the mostly uncouth -- language of grace.
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Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
