Deborah Smith Quotes
Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
Quotes to Explore
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Fiction reveals truth that reality obscures.
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I will go down as the voice of this generation, of this decade, I will be the loudest voice.
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That's maybe the most important thing each generation does, is to break a lot of rules and make up their own way of doing things.
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To people of my generation, the picture show was really another dimension - sensual, whimsical. No uniforms or collective rites, but a place where little boys like me could laugh and feel free.
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When it comes to boys and her weight, I think Ellenor is much more conservative than I am, and she has not had the dialogue I have had about my weight.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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My generation of Americans was the first to really care about racism and sexism, not to mention the I Ching, plus, of course, the Earth.
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Occasionally I write a small piece or the odd lecture in English, and I teach in English, but my fiction is always written in German.
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The trimmings of wealth are not as important to me and my generation as they were to my parents' generation.
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My dad came from Cuba when he was a teenager not speaking English. And I grew up here speaking Spanglish. That's the world in which I grew up, and that's a world in which a lot of second generation immigrants find themselves.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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I want to reach a new generation. That's why I am Twittering now. I have a BlackBerry, an iPhone and a Mac.
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My story has been the story of my generation.
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It is just as important that we enter into a dialogue with China.
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Lyrical poets have to be in touch with visceral experience. I've always tried to avoid virtual experiences. That's emerging in my fiction.
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I want to work with producers who are unique and have a different sound.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
