Zack Greinke Quotes
Everyone watches everyone pitch. If they're doing good, you're trying to take something out of them. I've taken something from probably every average to above-average pitcher I've ever played with - what they do. You see what they do and how you can put that into your game.
Quotes to Explore
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I tested for a couple of pilots, but they said I was too tall.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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I just let the songs tell me what to do - they are my guides, and they are the boss. So I am subservient to the songs, and I let them tell me what to do. I don't judge them; I just write whatever comes to me.
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I have said many times that most people work all their life to retire to play golf, while I played golf all my life to retire to work. I enjoy working. It has kept me young and on the move, and I have had a good time with it.
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To read without reflecting is like eating without digesting.
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I am a raging alcoholic and a raging addict and I didn't want to see my kids do the same thing.
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'Saving Grace,' even though fictionally it was set in Oklahoma, we shot it right outside of L.A.
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Today, for the first time - and the Obama campaign showed us this - we can go from the digital world, from the self-organizing power of networks, to the physical one.
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We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.
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You cannot force a state to be demilitarized. Even if a state enters a treaty where it commits to be demilitarized, there's no way to reverse statehood if it violates it.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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Tombs are the clothes of the dead and a grave is a plain suit; while an expensive monument is one with embroidery.
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I think, as far as branching out with acting, it would take something really right on the mark to distract me from music, because music is everything to me.
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Right now I'm really happy with how things are going with my chess career, so I'm not thinking of doing anything else.
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As a universal history of philosophy, the history of philosophy must become one great unity.
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One day, though, I was asked if I'd like to go to the University of Florida and become a Gator.
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I don't hide my being Israeli. I say it in every interview. I put out a record with songs in Hebrew. The people who signed me have no connection to Judaism or Israel.
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Diversity is not a politically correct idea. Diversity in a boardroom or in a Parliament means that you just have different minds, different life experience, different ways of thinking about patients or customers or voters so that when you bring that intellect, you look at opportunity and risk, and then you have it in much better balance.
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There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
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You can't be funny if you don't have good material.
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I am the Captain of the Pinafore ; And a right good captain too! . . . . And I'm never, never sick at sea! What, never? No, never! What never? Hardly ever! He's hardly ever sick at sea! Then give three cheers, and one cheer more, For the hardy Captain of the Pinafore!
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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Everyone watches everyone pitch. If they're doing good, you're trying to take something out of them. I've taken something from probably every average to above-average pitcher I've ever played with - what they do. You see what they do and how you can put that into your game.
