Declan Lowney Quotes
You couldn't hope to make a drama and have people rewriting on the day and having the actors making suggestions, "Wouldn't it be funny if my character did this?" "No. You're the actor. I'll tell you what to do."
Quotes to Explore
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Many fans were surprised when they learned that the little girl in drama 'Stairway To Heaven' was me.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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Sudden success in golf is like the sudden acquisition of wealth. It is apt to unsettle and deteriorate the character.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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I was extremely lucky that I had two great wives. It sounds a bit funny to say that, but it's absolutely true.
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My character and my behavior is not for politics. I say what I think. I'm too liberal.
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I am the ultimate California girl, which is funny, being that I'm Canadian.
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What do I bring to a film? I think, maybe, I know for a fact that I focus on connection of character; I focus on warmth and a heart, but I don't know if it's because I'm African American or because I'm crazy -who knows.
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Memories are like mulligatawny soup in a cheap restaurant. It is best not to stir them.
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To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in store for you next.
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I didn't see my character, Core, as a cannibal but as somebody who is extremely passionate and who doesn't have any conscience. She takes her passion to its complete extreme.
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The immediacy of improvisation is intoxicating, but there's an intimacy that you get that's very different when you're doing drama.
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I think if you work as an actress and are supposed as a character to be in love with some actor, then to some extent you do have to be in love with him.
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It's funny, but when I arrived in California to start college I was much more interested in becoming a surfer and cruise along in life from one beach to the next. I didn't plan out any huge career for myself.
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'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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I was hesitant to go around and shake hands, just go up and stick my hand out to strangers. Then I learned to stick my hand out.
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You couldn't hope to make a drama and have people rewriting on the day and having the actors making suggestions, "Wouldn't it be funny if my character did this?" "No. You're the actor. I'll tell you what to do."
