Taron Egerton Quotes
In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
Quotes to Explore
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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I played the trumpet for nine years, and then I joined the choir after that, and then I was in musicals in high school.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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If I miss coaching that much, I could go to some little school where they didn't recruit, where all the kids wanted to go. I believe I could find somewhere to coach.
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It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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We'd be doing parkour on my high school roof; we'd get in trouble. But I was never a reckless kid.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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Teachers need time to engage with colleagues - whether shadowing, mentoring, co-teaching or conferring. They need a voice in school decisions and to be trusted as professionals.
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Under HB 2655, the state is responsible to ensure parents are aware of the purpose and value of assessments and receive notice from their local school districts about their rights and obligations. Educators must engage with parents about the value of assessment and the potential consequences if parents opt out and student participation diminishes.
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I'd always loved strings. When I was in high school and saw strings playing on stage, an orchestra or a symphony, all those bows moving at the same time... wow.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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'21' was the place, and you went down, and they opened the door. They had a little slit they'd look through, and then you'd murmur the password or whatever it was you had, showed a little ticket, and if they remembered who you were, you went in.
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Certain of Poe's tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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She worked in order to live, and presently fell in love, also in order to live, for the heart, too, has its hunger.
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In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
