Pamela Anderson Quotes
Quotes to Explore
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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I got to work with legendary director Garry Marshall.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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A lot has been written about Tony Perkins and myself and I figured, Let's get it straight. I had a relationship with Tony for two to three years, but those are only threads in the tapestry of my whole life.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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I have to remind myself when I'm on a job and I'm feeling a lull in attitude or confidence or whatever, I'm there for a reason. I have to constantly remind myself of these almost corny Pinterest mantras, like 'You are worthy.'
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I don't take myself too seriously.
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I have made myself what I am. And I would that I could make the red people as great as the conceptions of my own mind, when I think of the Great Spirit that rules over us all.
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Is woman a religion? Well, perhaps you will have the chance of judging for yourselves if you go to America. There you will find men treating women with just the same respect formerly accorded only to religious dignitaries or to great nobles.
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I cannot in any case permit myself to be brought before the people, exclusively, by any of the political parties that now so unfortunately divide our country, as their candidate for office.
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The curious paradox is that when I accept myself just as I am, then I can change.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Sure, being a reservist wasn't as glamorous, but I was the one who had to look at myself in the mirror.
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If I'm with a man, is that going to prevent me from achieving my goal? What sacrifices will I have to make in terms of being myself, if I'm with a man? Something that young women find out really quickly is that when you start dating, all of a sudden you're supposed to have a role. You're not allowed to just be yourself.
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I already have natural speed, which I don't need to work on, so in training I've been working more on my endurance.
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Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
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I don't know who took what. That is pretty private with an individual.
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The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
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I think there's a bargain in every garage sale - not as much as there used to be, but they're still there.
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I'm an immigrant myself. It was a tough road to come to America and work.
