Alan Furst Quotes
Quotes to Explore
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.
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In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'
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If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.
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The day after I had my licence to drive, I made Paris/Nice at 230 km/hour.
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If we are to teach real peace in this world, and if we are to carry on a real war against war, we shall have to begin with the children.
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Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
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I was 17 when I left the small Maine town where I'd grown up. I wanted to do something I thought was important with my life, so I headed to California and didn't look back.
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I think Paris smells not just sweet but melancholy and curious, sometimes sad but always enticing and seductive. She's a city for the all senses, for artists and writers and musicians and dreamers, for fantasies, for long walks and wine and lovers and, yes, for mysteries.
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What drives that desire to destroy Paris Hilton? What drives that desire to venerate Angelina Jolie? I do understand it, but it still baffles me. It baffles me when people treat me specially and differently, because I just want to look at them and go, 'What are you talking about? I'm just a person.'
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I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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Jews can build in New York, Moscow and Paris, but in our own land, we can't build? That's nuts.
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April in Paris, chestnuts in blossom, holiday tables under the trees.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.
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I don't like Paris so much.
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The Lumiere brothers first exhibited moving pictures in Paris in 1896. A year later, there was a private showing at the Yildiz palace in Istanbul.
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Paris is one of my favorite cities, but Paris during Fashion Week is everything!
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'The Paris Review' was always the pinnacle: it was the place to be published. You were thrilled if you were published in 'The Paris Review,' and George Plimpton himself was practically mythical. He was a legendary figure.
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The Head of Story is defined differently for each film. But I found that the role for me was to support the director's vision, and to be a conduit to the story team - and managing that team to realize the vision.
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I didn't do my work for money or prizes - only for the excitement of discovery.
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The best Paris I know now is in my head.
