Alexandra Bracken Quotes
Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.
Quotes to Explore
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For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
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I want to be an animated character. I'm also doing more writing and directing.
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The mistake of the West was to put the Sauds on the throne of Saudi Arabia and give them control of the world's oil fortune, which they then used to propagate Wahhabi Islam.
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Fiction about mining has a long tradition - Emile Zola's 'Germinal' and Upton Sinclair's 'King Coal' come to mind - and most readers will be aware of the industry's harsh conditions.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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As with any moderately famous person, footballers are the source of much gossip. In fact, I'd go as far as to say they are targeted. The fun part as their partner is not knowing who, or what, to believe.
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It's not enough to just mildly want what you want. You must wildly want what you want. Nobody ever got their greatest wishes by being wishy-washy. You need to put extreme energy into your power of intention to win what you wanna win.
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I do get recognized, more and more every day.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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The Backstreet Boys were so ten years ago. Whatever.
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Ultimately life is disease, death and oblivion. It's still better than high school.
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I like having a bunch of different experiences. I don't want to do just one thing for the rest of my life.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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It is remarkable how easily children and grown-ups adapt to living in a dictatorship organised by lunatics.
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America always pivots between collective responsibility and the idea that the individual can pull himself up by his bootstraps.
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If we don't change, we don't grow. If we don't grow, we aren't really living.
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I like doing stuff like, for instance, in the 'Leave the Night On' video, I had on a plain white T-shirt. I just wanted to do something to it to make it a little different, so I just cut a big strip out of the side, from the shirttail up to my armpit, and cut a big red strip out of another T-shirt and just sewed it in there.
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A wise human would have an understanding of the supply chain and how the pieces fit together. But it's against our nature to think about it.
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I have a little history. I met Stone Temple Pilots, and their guitar player was a huge Extreme fan. Somewhere down the road, Extreme made its statement.
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Indeed, what says more: the few lines of a tightly written poem or a volume of analytical comments on it? The communicative ability of artifacts depends on how the work of negotiating meaning is distributed between reification and participation.
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I kind of spooked myself about getting older. It's not that bad really.
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Readers are hungry to have their stories in the world, to see mirrors of themselves if the stories are about people like them, and to have windows if the stories are about people who have been historically absent in literature.
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What appeals to me about an American music directorship is the involvement of the conductor with the orchestra and the community. I think that's a fantastic thing. In Europe, being principal conductor means merely that you're the person who does most of the concerts. For me, that simply isn't enough.
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Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.
