Lili Reinhart (Lili Pauline Reinhart) Quotes
I usually tape about 99 percent of my auditions at my house. I have a camera and record myself, and my mom reads the other lines off-camera. Then I send it to my agent and manager, and they send it to the casting director, and we see how it goes from there.
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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Oh, I find it very easy to fall in love.
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Olympic champions should be 100 per cent athletes who have made the sacrifices.
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Most of my fans, if you were to look on their iPods, you'd see every possible genre of music represented in some capacity.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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The thing about being an actor is that every new job is a new challenge. Sometimes you'll have a shot, and it doesn't work. Sometimes it'll work better than you expected.
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I love old movies. The '40s theatre pace is fantastic.
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I was a complete outsider in high school.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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As an artist, you're always going to be yearning and wanting and never satisfied. I never feel like I've really achieved something.
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The moon is a friend for the lonesome to talk to.
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Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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Sleep after toil, port after stormy seas, Ease after war, death after life does greatly please.
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Bohemia is nothing more than the little country in which you do not live. If you try to obtain citizenship in it, at once the court and retinue pack the royal archives and treasure and move away beyond the hills.
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My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
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All too often, legacy management practices reflexively perpetuate the past - by over-weighting the views of long-tenured executives, by valuing conformance more highly than creativity and by turning tired industry nostrums into sacred truths.
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The show is different every night, because I never write a setlist.
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You have to believe that you are the character or the thing or whatever the hell you're playing.
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I usually tape about 99 percent of my auditions at my house. I have a camera and record myself, and my mom reads the other lines off-camera. Then I send it to my agent and manager, and they send it to the casting director, and we see how it goes from there.
