Amanda Seyfried (Amanda Michelle Seyfried) Quotes
Nudity doesn't scare me at all; the only thing about it is the perception by the audience.
Quotes to Explore
-
My advice to anybody, including myself, is if you're going through a bad period, and you just can't see the world's on your shoulders and no day is a good day, you're missing the whole point of the experience. And that's something dogs know from the moment they come bounding up to you as a puppy.
-
Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
-
I don't want to be known as an item dancer. I want to be known as an actress only.
-
I think violence can never be justified.
-
Newt Gingrich seldom misses a chance to note that he is a historian.
-
Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
-
In all my movies, be it 'Page 3', 'Chandni Bar' or 'Corporate,' I have tried to depict honesty and reality.
-
I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
-
To think that guys who grew up in the '60s would make a miniseries supporting the idea that Oswald acted alone is something I certainly wouldn't have predicted. But time and evidence can change the way we view things.
-
I love rock n' rollers.
-
It's funny; people get so doctrinaire about music. It should be the last thing you don't have an open mind about.
-
I didn't know who the hell I was. I was whoever they wanted me to be.
-
The poor are an especially important resource for innovation when they have the bravery and pluck to get out of the poor places in which they're living.
-
Writing, film, sculpture, music: it's all make-believe, really.
-
Language usage always has a political context.
-
Money for me today does not really matter.
-
I'm not gonna play a part that doesn't instill some kind of fear in me. If I read a part, and suddenly, I'm thinking halfway through, 'I'm not sure I could get away with this,' I think of everything I can think of to keep me from doing it, that's the one I should do.
-
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
-
As I stood in the booth chatting to people, it occurred to me that besides good racing, the Crew Classic provided an ideal setting for the brotherhood of rowing. The brotherhood connects real rowing people. Teammates who haven't visited in years came together, and so do former opponents who once battled like mortal enemies. Suddenly they discovered they have much more in common. Long live the brotherhood of rowing.
-
I never go wild with nails.
-
It's interesting, but in the last five or six years, the audiences are dressing better.
-
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
-
I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
-
Nudity doesn't scare me at all; the only thing about it is the perception by the audience.
