Luc Besson Quotes
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
Quotes to Explore
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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If you have a camera in the courtroom, there's no filtering. What you see is what's there.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
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In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
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The world just does not fit conveniently into the format of a 35mm camera.
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The camera cannot lie, but it can be an accessory to untruth.
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The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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My mom hates being on camera. My dad loves it - he eats it up!
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The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool.
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Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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If there were teenagers who had a video camera and saw what I did on a daily basis, they'd be bored out of their mind.
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I've had some surgery and shoulder problems.
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A colleague once nicknamed me - half mocking - the 'magical stranger' because I get people to tell me things.
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We have seen amazing, creative and interactive pictures from camera owners, and I'm looking forward to the Lytro camera being available in Australia.
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The trick is not to become somebody else. You become somebody else when you're in front of a camera or when you're on stage. There are some people who carry it all the time. That, to me, is not acting.
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The problem now with changes in the music industry is that there's almost no point in making records anymore. The only thing really is to tour, and then you're revisiting history. Maybe it's better to leave it, if you see what I mean.
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I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.
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When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
