Antonio Porchia Quotes
Quotes to Explore
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Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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I don't want to subject myself just to one scheme. I think it's just if you can play, you can play no matter what scheme you play in.
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Every city is always changing, on its own trajectory.
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If people still trust me with a funny line, then that is fine. If that is what gets me work.
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The South of France is one of my favorite places in the world.
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
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The Catholic Church is one of the oldest, largest and richest institutions on earth, with a following 1.2 billion strong, and change does not come naturally.
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I think, honestly, my largest concern, there are a lot of unbalanced people out there, and all of a sudden, I'm the CIA poster girl, and our home in Washington, the front door was about 20 feet from the street. I went to the agency at a certain point and asked for security on a residence.
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My kids are at a point in their lives where I'm a moral compass for them. God help them both.
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People don't talk to me the way they would other people. They kind of look at me, but they never come over. It makes me feel like there's something wrong with me.
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I read books for exams at school, but only because I had to read them, and really didn't enjoy it one little bit! The only time I did enjoy it was when I was asked to read out loud in front of the class, as I then used it as an acting exercise!
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My approach is to treat writing very much as a job.
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To be blunt, we went down that road in Iraq. Thanks to the extraordinary sacrifices of our troops and the determination of our diplomats, we are hopeful about Iraq’s future. But regime change there took eight years, thousands of American and Iraqi lives, and nearly a trillion dollars. That is not something we can afford to repeat in Libya.
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Always I will take another step. If that is of no avail I will take another, and yet another. In truth, one step at a time is not too difficult. I will persist until I succeed.
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There seems to be a general impression that to be known as normal in Hollywood is akin to being labeled as rare animal in a zoo.
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Fuck a needle, here's a sword, body pierce with this.
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I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting?
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It's great being an actor and being part of a play or a film where there's usually quite a big group of people who are collaborating, and your job is really to fit in and share that energy. With music, because I write the songs, it's a broader, more abstract process.
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Under the Timber and Stone Act of 1878, which might well have been called the 'Dust and Ashes Act,' any citizen of the United States could take up one hundred and sixty acres of timber land and, by paying two dollars and a half an acre for it, obtain title.
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When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.
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Iría al paraíso, pero con mi infierno; solo, no.
