Asghar Farhadi Quotes
After 'A Separation,' I found it much easier to work in Iran because I worked with very enthusiastic people who were very involved in the work, and that facilitated a number of things. It made it possible to iron out some of the difficulties found by other filmmakers in Iran.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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I find great beauty in songs with a creative interpretation, but most people generally don't get that, and go for the simple songs, but I prefer something a bit more complicated, which is more meaningful to the creator.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
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The atom bomb is a paper tiger which the United States reactionaries use to scare people. It looks terrible, but in fact it isn't.
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In France there are, I think, less than one per cent of people who are too skinny.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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And then in 1956 or 1957 my family went over to Europe and I moved over with them, and immediately people in Europe thought my perspective on that issue was 100% correct.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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I think that there is a concern, a question mark, by people all around the world and governments all around the world, as to what China's intentions are.
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Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can overpower the work.
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Fear of carbs, of gluten, of everything - we've distanced ourselves from the beauty of food, the art of it. It makes me sad when people say, 'Oh, I don't eat gluten. I don't eat cheese. I don't eat this. So I eat cardboard.'
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People make me key chains... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated.
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Don't misquote me as wanting to hurt homosexual people in any way. That would be a dastardly lie.
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I think when average-size people start taking roles that were meant for dwarfs, that's a little frustrating because there aren't that many roles out there for height-challenged actors.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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I suppose the worst case scenario is that people will get to the point where they can't actually afford to make what they want to make creatively. The industry is collapsing.
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More immediately, I'm currently working on another Dracula in which there will be connections with ancient Egypt. That's about as far as I want to go in commenting on current work.
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Corporate governance should be done more through principles than rules.
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I keep the people who I know love me really close.
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If you're trying too hard to be the girl next door, you're not going to be.
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I used to approach writing like a football game. If I went out there and aggressively saw more, I'd know more, and I'd capture more, and I'd write better. Hut, hut, hut: First down and haiku!
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After 'A Separation,' I found it much easier to work in Iran because I worked with very enthusiastic people who were very involved in the work, and that facilitated a number of things. It made it possible to iron out some of the difficulties found by other filmmakers in Iran.
