Steven Tyler Quotes
She's blonde with all the hits. Taylor Swift. She's hot. More than that, she's beyond talented. I have to write a song with her.
Quotes to Explore
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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The ego being shattered is not what frightens me - that can be useful for writing - but the ego being inflated is sort of like it dying of gout.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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There aren't a lot of 'Aha!' moments in writing.
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The tires were scorching hot, in fact I burned my fingers on one.
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I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
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You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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Life throws up enough road blocks to keep you from writing; you can't be adding to them yourself by saying you can only write in one specific place. I'm in New York half the time and Texas half the time, and I work wherever - in my computer bag I have some foam ear plugs that I can put in.
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Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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She's blonde with all the hits. Taylor Swift. She's hot. More than that, she's beyond talented. I have to write a song with her.
