Bono (Paul David Hewson) Quotes
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney – client privilege, and that would hamper my ability to mount an effective case.
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Access to the Vedas is the greatest privilege this century may claim over all previous centuries.
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We allow no geniuses around our Studio.
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I write in the studio.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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I'll remind you all, however, that for government, existence is a privilege, not a right.
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None of us is designed for the role we must assume in a revolutionary society, although Cubans had the privilege of Jose Marti's example.
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For me, being part of the WTA tour is a privilege. Every day I wake up, it's a privilege to be able to go outside and do what I love. It's a privilege to be able to make my own hours, even though they're long, but I make them.
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I knew I had more in me than just standing up and having my picture taken... Being in the studio, I have to have an opinion.
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You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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I am afraid of privilege, of ease, of entitlement.
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The studio people want me to do 'Good-bye Charlie' for the movies, but I'm not going to do it. I don't like the idea of playing a man in a woman's body - you know? It just doesn't seem feminine.
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Privilege is here, and with privilege goes responsibility.
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I tried to stick with what I knew best, which is writing rock n' roll songs and melodies. I am as passionate as I was when I was 20.
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The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one’s own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound.
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Back then, I was really into composing the entire solo, beginning to end. I wanted to have it at least 80 to 90 percent complete before going into the studio. I didn't improvise in the studio. I was young, and I didn't really have the development in my playing or the ability to show up with nothing and then put down 500 ideas. I can do that now because I'm so much more of a musician now.
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My son is now an 'entrepreneur.' That's what you're called when you don't have a job.
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The mind itself—the seemingly solid, stable mind—dissolves into a stream of cittas flashing in and out of being moment by moment, coming from nowhere and going nowhere, yet continuing in sequence without pause.
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The definition of insanity in Texas is so insane that it's impossible to be insane in Texas.
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If I wanted to be a doctor today I'd go to math school not med school.
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It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
