Kevin Bacon Quotes
I feel like my responsibility as an actor is to make characters as compelling and believable as possible.
Quotes to Explore
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I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
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Any actor wants their movies and their work to be seen. You don't make a movie or get into this profession for your work not to be seen and just to show them to your mates at home.
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I always loved cars. I don't know why, I can't explain it to you. It has always been with me.
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Conscience is the inner voice that warns us that someone might be looking.
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I will always think of myself as that girl that is 22 starting and really excited about everything and wanting to be amazing at everything. I always wanted to be the best stylist. That was it.
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Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder.
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People expect me to be that guy. But I'm more east London boy than east Baltimore.
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I was from a tough neighborhood, and we didn't have a lot of money, but my dad worked hard, and my mom is good at budgeting things. That made me appreciate things.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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Most virtue is a demand for greater seduction.
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I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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The weakness in traditional Scottish nationalism lay in its own inability to grasp that identity could not be the only factor in the march to independence.
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My family is from Nigeria, and my full name is Uzoamaka, which means 'The road is good.'
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As hitters, I think we take for granted at times how good our hands are and just how much the value of truly getting the barrel to the ball is. We don't have to do as much as we think we have to.
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Think of and look at your work as though it were done by your enemy. If you look at it to admire it, you are lost.
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I come into the peace of wild things who do not tax their lives with forethought of grief... For a time I rest in the grace of the world, and am free.
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Jordan Vogt-Roberts directed me in 'Kings of Summer,' which was his debut feature. I got to witness the passion and hunger that first-time directors bring to projects, and ever since, then I've been very intrigued when I've come across a project with a less experienced director.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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Copiers do not collaborate.
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I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.
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I feel like my responsibility as an actor is to make characters as compelling and believable as possible.
