Kevin Hart Quotes
'Soul Plane' put me in a position to succeed. I'm glad I had the opportunity to be the lead man.
Quotes to Explore
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We love in another's soul whatever of ourselves we can deposit in it; the greater the deposit, the greater the love.
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My favourite authors are Milan Kundera and Jeanette Winterson.
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I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
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If I want to speculate wildly about the future, I have my science fiction. Anybody who tells you they can predict the future is either crazy or lying.
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We live in a period of declining stars. Few celebrities these days (aside from the smoldering Angelina Jolie) seem to have complex psychic lives.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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I met in the street a very poor young man who was in love. His hat was old, his coat worn, his cloak was out at the elbows, the water passed through his shoes, - and the stars through his soul.
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Your big opportunity may be right where you are now.
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Equality is the soul of liberty; there is, in fact, no liberty without it.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
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Love is the beauty of the soul.
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If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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No one ever said movies are for developing your range. Hardly anyone gets that opportunity. Which is why I think the stage is so good. It's less bread, but you can play different types, and you can initiate your own projects.
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The essence of a person is not the clothing she wears or the things he does. People who love them do not stop loving them when they change clothing or do other things. Your essence is not even your history, culture, race, or what you think and do. It is your soul.
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You would notice if your own personal debit card limit shot up to $40 million dollars. And you'd probably call somebody.
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It's always been a great survival value for people to believe they belong to a superior tribe. That's just in human relationships.
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I've always thought that you live in the present, you live in a specific present. You are writing, present tense, so write in the present as it is.
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Yes, the first job I had at the studio was Snow White. I don't like the term particularly, but I got stuck with the human characters. They just didn't have that many people who could draw humans.
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'Soul Plane' put me in a position to succeed. I'm glad I had the opportunity to be the lead man.
