Crystal Waters Quotes
Quotes to Explore
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I am not a designer that buys vintage to be inspired.
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I'm not a video brat. I don't derive all my inspiration through movies. I get it from a lot of other places, too.
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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Art is too serious to be taken seriously.
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I loved history because to me, history was like watching a movie.
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'Free State of Jones' went beyond that. It got into how the South wasn't as homogenous as we thought it was - or even the North for that matter, where we like to assume everyone wanted to free the slaves and they were all abolitionists. It actually shows how complex these ideologies were on both sides.
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It's a coincidence that most of the films I have done are to do with social causes.
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There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
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Maybe if I'd had more direct contact with death, I wouldn't find it so fascinating and I wouldn't write about it so much.
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I remember in high school trying to get home from water-polo practice in time so I could see Happy Days on television when it first came on, because I was so blown away by it. It was just such a cool thing.
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All rappers are princesses like me.
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As software engineers trained to turn ambiguity into absolutes and fuzzy requirements into ones and zeros, we had a 'eureka' moment when we realized that our training had broader, real-world applications.
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I think it's funny because on 'Glee Project,' there's that added pressure, but with 'Glee,' there's no element of competition. No one's trying to dance better than anyone. But there's that added pressure of, 'So many people are going to watch 'Glee' this week. If I don't nail this dance, I look like an idiot.'
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Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
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Let me tell you I am better acquainted with you for a long absence, as men are with themselves for a long affliction: absence does but hold off a friend, to make one see him the truer.
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Fairytales work on two levels. On a conscious level, they are stories of true love and triumph and overcoming difficult odds and so are pleasurable to read. But they work on a deeper and symbolic level in that they play out our universal psychological dramas and hidden desires and fears.
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Writing is boring, very boring, and it takes so much patience.
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When people say, 'How did you start in comedy,' I say my family was kidnapped by ninjas when I was very young, and to get them released I had to do a killer five-minute set. And even after I did that, you know, I started doing comedy under tough circumstances, I still kept at it because I enjoyed it.
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I don't want to make it a hard, fast rule, but it's surprising how many 'fun for the whole family' acts are real scumbags. The people that confess they're scumbags on stage are generally really great people. They're more honest with the audience with who they are.
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My phrase has always been that I am looking for the versatility of theatre in film. I think I have been quite lucky in that so far.
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Every day more Americans watch their jobs being shipped overseas.
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I'm the type who'd rather not work than work on something I'm not into. I've done that a couple of times, and I feel like I can totally see it in my performance.
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In this age of cynicism, bipartisanship and personal cowardice, it’s refreshing to find a group of people willing to die for what they believe.
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I would love to sing with Ella Fitzgerald.
