Caroline Rhea Quotes
Sitting next to Olivia Newton-John, I was like, 'Do not sing one song from Grease.' That's all I was telling my brain at all times: 'Do not sing Hopelessly Devoted. Don't do it.'
Quotes to Explore
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I don't really have an aversion to watching myself. I think I've been doing it for long enough that I have a system of separating it in my brain from my egotistical neuroses for the most part.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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Exact information about the functional significance of the deep sections of the brain is only obtained by working through the brain histologically in serial section.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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If you say you're fat, all of a sudden people like you!
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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What you hear about the band is always going to be more disturbing than any particular song.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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Everyone needs a theme song! It should make you feel like a million dollars.
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I've been doing extremely dangerous activities for a long time, but I've been lucky enough to have survived so far. However, sooner or later we all die... and, if that's the case, I want to die doing what I love to do the most. That's how I view death.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
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There is an incompatibility between being glamorous, young and a woman and using my brain. The official version is there is no discrimination, and talent dominates, but that is not the case.
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Successful organizations, including the Military, have learned that the higher the risk, the more necessary it is to engage everyone's commitment and intelligence.
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I may not be the most athletic, but I understand the game.
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The vampire craze is kind of fascinating. We're interested in the idea of immorality and I think we're drawn to people or creatures who can give in to those base impulses and just be bad and not feel bad about it.
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There is a profound hypocrisy - and deep historical ignorance - when Europeans complain about the problems posed by the ethnic and religious minorities in their midst, for that is exactly what European colonial rule meant for peoples around the world.
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As 99 per cent of English authors and 100 per cent of American ones authors are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses.
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Sitting next to Olivia Newton-John, I was like, 'Do not sing one song from Grease.' That's all I was telling my brain at all times: 'Do not sing Hopelessly Devoted. Don't do it.'
