Carolyn Chute Quotes
I am a person who can't teach writing or make a living in any public way, as I get confused when interrupted or overstimulated. In a classroom or crowded room, I all but blank out. So my only income is from novels.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Unfortunately, there is still much to mine in this world and explore creatively.
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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You can be an Olympic champion in 9.5 secs, but to be the greatest, there's more to it. It takes a bit of forethought and a lot of mental application.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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You know, I've had an incredible career and I'm blessed.
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I just want to sit in my room and write books.
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They managed to find time... to tell me that there was no chance of my being accepted for service and that really I should be surprised to still be alive.
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I have to trust what I do and then do it.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music.
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A well-designed 401(k) plan is an enormous competitive edge when recruiting and retaining employees.
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The way management treats associates is exactly how the associates will treat the customers.
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Travel, of course, narrows the mind.
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I don't think that our European Union membership precludes us from building an illiberal new state based on national foundations.
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I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.'
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I was one of those girls in class who always had her hair in plaits, was always with the boys, always playing football in the street.
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My father was dark skinned because he was Tatar. Sometimes Tatars can look Brazilian.
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I couldn't sustain myself if I skimped on food - I work 16-hour days, I need the energy, I can't afford to be stingy on what I eat.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
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I wonder why I write about these things. As if I didn't know them! Why do I tell myself in writing what I already so well know? Don't I know about the mountain, and the brimming cup of blue light? It is because, I suppose, it's lonely to stay inside oneself. One has to come out and talk. And if there is no one to talk to one imagines someone, as though one were writing a letter to somebody who loves one, and who will want to know, with the sweet eagerness and solicitude of love, what one does and what the place one is in looks like. It makes one feel less lonely to think like this,—to write it down, as if to one's friend who cares. For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean the ordinary physical loneliness, for here I am, deliberately travelled away from London to get to it, to its spaciousness and healing. I mean that awful loneliness of spirit that is the ultimate tragedy of life. When you've got to that, really reached it, without hope, without escape, you die. You just can't bear it, and you die.
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The way I work with my cinematographer is not based on general principles, but the ideas are triggered by the locations where we shoot.
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All the stories I write come from someone I've met or some anecdote I've heard.
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I am a person who can't teach writing or make a living in any public way, as I get confused when interrupted or overstimulated. In a classroom or crowded room, I all but blank out. So my only income is from novels.
