Robert Smith Quotes
Quotes to Explore
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If they understand, which I believe they really are sensing, that the alternative the Republicans have been offering is to repeal what we've done, to go back to Bush policies - and if you asked the public what would you prefer, Bush economic policies or Obama economic policies, they take and prefer Obama economic policies.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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I am a raging alcoholic and a raging addict and I didn't want to see my kids do the same thing.
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Our built-in human system for mimicry explains why we humans can transfer our good and bad moods to each other - if we aren't careful!
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I have often said one of the reasons more blacks don't support Republicans is because they don't trust the GOP establishment.
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My most noticeable physical trait is, hands down, my hair. It's big, unruly and curly, and you can spot it from a mile away... literally.
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We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that.
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As the bill requires, any terror alert system must give people and organizations some indication about what steps they must take to improve their own security and assist in the Nation's security.
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I was joking with someone about this the other day. They were like, 'You talk about Applebee's as if it was your ex.' I miss it; I miss setting up tables at 6 A.M.
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Any athlete has massive reserves in their body and their emotional landscape.
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Harpo Marx looks like a musical comedy.
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I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
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My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.
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When I work with other people, I don't have to do that - it's because I love to do it and I want to do it.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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This uprising of 1976-77 was, of course, the historic watershed... Within a short period of time, it propelled into the forefront of our struggle millions of young people.
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The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job.
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Without trust, you have nothing: trust is so important to me.
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About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition.
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He had seen trances before - wise men far in the east, who could feign death; a herbwife as she bent over her patient, searching for invisible hurts. But this was different. He could sense something here, within the circle cast by the light of the fire. A presence. Presences...
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I found myself within a forest dark, for the straightfoward pathway had been lost. Ah me! How hard a thing is to say, what was this forest savage, rough, and stern, which in the very thought renews the fear. So bitter is it, death is little more.
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A nation which can prefer disgrace to danger is prepared for a master, and deserves one.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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I don't think of death in a romantic way anymore.
