Chrissie Hynde Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I have a relatively good track record.
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I am so anti-people's opinions when I'm making a record, but when it's finished and I put it out there, I hope somebody likes it.
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I can't afford to be indifferent to politics, but I don't have personal ambitions.
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Denver and Boulder are good record-buying cities. I don't know why.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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I can't write another breakup record. That would be a real cliche.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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Just because a record has a groove don't make it in the groove.
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I recall improvisational drummer and composer Michael Evans telling me a story of someone who had the opportunity to meet Cage and give him a record, and John Cage just smiled and said, "You know I have nothing to play this on?"
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...All the wonders of our universe can in effect be captured by simple rules, yet ... there can be no way to know all the consequences of these rules, except in effect just to watch and see how they unfold.
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Having been a child actor, I remember how directors would trick me to get good performances out of me. I don't think you need to do that.
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She knew I could tell with one glance, one look, one simple instant. It was her eyes. Despite the thick makeup, they were still dark-rimmed., haunted, and sad. Most of all though, they were familiar. The fact that we were in front of hundreds of strangers changed nothing at all. I'd spent a summer with those same eyes-scared, lost, confused-staring back at me. I would have known them anywhere.
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I'm all for bootlegging. A record costs $20 . . . who can afford that?
