Evan Ingersoll (Chuck Inglish) Quotes
I tried to make a 'When Doves Cry' in a rap version. I used a lot of instruments and I broke it down like I thought Prince would do, and that's the song I sent to Big Boi.
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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We all have to let go of the Prince Charming complex and realize he doesn't necessarily exist in the package we assume he'll come in.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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Everybody loves a good Christmas song if you do it right.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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For me, a perfect pop song is something like 'This Year,' by the Mountain Goats.
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We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.
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I'm aware of the decisions I make and the responsibility I have as a role model. I wouldn't disregard that.
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When I feel comfortable, I just like to sing and hum, and I don't even know I'm doing it. But sometimes someone will come over to me like, 'I love that song you were singing, but it's distracting.'
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I always felt really alone because no one wanted to talk about the things that I enjoyed, and that was really rap music and hip-hop as a culture. You know, having the shoes, using the words, buying the magazines, seeing the videos. And I had nobody to share it with, so I feel like I lived a lot online.
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Every time I write a song my approach changes.
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I've always been able to get inside a song really easily, and if it's my song, I can make it seem honest.
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Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.
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I tried to make a 'When Doves Cry' in a rap version. I used a lot of instruments and I broke it down like I thought Prince would do, and that's the song I sent to Big Boi.
