Ken Follett Quotes
I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.
Quotes to Explore
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When I first met Elvis, we had so much in common and became fast friends.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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I'm an artist at heart.
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Virtually all of Darfur's six million residents are Muslim, and, because of decades of intermarriage, almost everyone has dark skin and African features.
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The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.
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Toronto Film Festival is one of those festivals where there are 400 movies, and unless you have a distributor who is super confident and puts a lot of money into it, sometimes movies can go unwatched or unnoticed.
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Jim Thompson understood something about the serial killer before the psychology caught up to it, which is that they are detached to it and they do want to get caught.
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I wasn't really excited about doing television, to be quite honest.
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There are clearly many good politicians who are guided by religious belief, so the mix can work. But there's a line to be drawn. It would be hugely dangerous for a country's laws to be set by the scriptures, and particularly those of the expansionist religions.
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Only a few good leaders have paused to reflect seriously on being leaders.
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I was only 11 when we filmed the pilot. The idea of a rapper being a star on a sitcom just wasn't heard of.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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The Sino-Indian War in 1962 has fundamentally shaped and distorted Indian attitudes towards China. It also obscured a great deal of what has happened in China since 1962.
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There is an inevitable divergence between the world as it is and the world as men perceive it.
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We can't go all over the world killing people because we disagree with them.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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Beijing, much as it has done with Hong Kong, persists in equating 'people power' with instability.
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The fact that one can lose one's sense of self in an ocean of tranquility does not mean that one's consciousness is immaterial or that it presided over the birth of the universe.
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For me, it's an experiment to see what people are gonna think of it.
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I think everyone thinks their family is insane, and every family is insane. There is no real normal.
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I'd love to see the secondary markets become more widespread in terms of their adoption.
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The work I've done through my Common Culture Music series has enabled me not only to share my joy of music at scale but also promote the artists I love.
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I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.
