Maisie Williams Quotes
I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
Quotes to Explore
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If you're in a film that you're proud of and you care about, then you're always happy to talk about it.
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My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
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I like science fiction, I like fantasy, I like time travel, so I had this idea: What if you had a phone that could call into the past?
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When I'm making music, I can hear all the parts, all the instruments. I can hear what it should be.
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There's never really been a real hood Christmas movie.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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Antonio Berardi is one of my good friends.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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My style is schizophrenic! One minute I'll be wearing bright girly dresses, and the next I'll be swinging towards more structured masculine things.
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I've been a big astrophysics nut since I was 12. I have always had a real soft spot for the bizarreness of quantum mechanics. But I gave up on being a scientist in high school - I'm just not that good at math.
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing - which is never an easy thing to do.
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There is a very thin line between confidence and arrogance.
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If you're a basketball player, you've got to shoot.
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When I first started in film, I was terrified of the camera.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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The nonphysical law allows you to use nonphysical causes to create nonphysical effects and also physical effects. This does not mean that you are not in control of what you create. On the contrary! It means that you are entirely free to create what you want, provided you are aware of how the nonphysical law of cause and effect works.
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We couldn't pitch the show without having created one, at least one 20 to 25 minute version of 'Broad City.' We wouldn't know how to describe it.
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The test of good manners is to be able to put up pleasantly with bad ones.
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I will only speak off the record about Debra Winger.
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How mad would it actually be to do an 'Avatar' type animation film, but about something mundane like a Winn-Dixie cashier's day at work? That'd be something else, I think.
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If we want to enlighten people or give them new thoughts and ideas, we have to be willing to do the work of educating them.
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I'm not complaining about doing 20-hour days. It's a joy to be able to work on yet another film.
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What we need to do is learn to work in the system, by which I mean that everybody, every team, every platform, every division, every component is there not for individual competitive profit or recognition, but for contribution to the system as a whole on a win-win basis.
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I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
