Fiction Quotes
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I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.
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I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".
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Because the character is a fiction, he's a composite of other contributors to the science that brought this enzyme therapy through the process. We had the opportunity to make him up out of those things that helped tell the story. We wanted to create both ally and antagonist for John ...
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I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.
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I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.
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The best fiction is often how we interpret our own lives and what we see as our common due. It is created usually as a means of avoiding reality which, if seriously considered, might negate our ability to strive for what might seem impossible.
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I'm mostly a novelist these days, but I have written short stories in Fantasy, Science Fiction and horror.
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I think the anti-intellectualism of a lot of contemporary fiction is a kind of despairing of literature's ability to be anything more than perfectly bound blog posts or transcribed sitcoms.
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Reality is in the business of killing off fiction.
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I wrote Baghdad Central right after translating a great work by Ibrahim al-Koni, who is sort of a master of Arab fiction. In conversations with him I realized that translations have been my MFA program. If I have learned how to write fiction it's by working with great writers and getting them to explain their craft to me so that I can do it in English. That's how I've figured it out.
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We need to find another way or another shape or an allegory or something that tells us more. Even Vagabond - it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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At its best, fiction is not a diversion but a means of knowing the world.
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"Why, I don't exactly know about perjury, my dear sir," replied the little gentleman. "Harsh word, my dear sir, very harsh word indeed. It's a legal fiction, my dear sir, nothing more."
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Fiction is ideally suited to re-creating the important emotional aspects of history.
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As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.
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You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
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I love science fiction stuff - I'm a bit of a dweeb like that.
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Writing fiction is fundamentally an irrational act.
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The romantic appeal of solar sailing has ensured that its advocates consistently come from the worlds of both science fiction and science fact.
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I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.
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Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
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A gritty grain of truth lay at the heart of most legends, she had told me, and the slow accretion of fiction hardened in layers around it.
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I think if you looked at the kind of ebb and flow of supernatural fiction and horror fiction, it does seem to be more popular in times when were hammered over the head daily with threats from all angles, very real threats.
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I treated Art as the supreme reality and life as a mere mode of fiction.
