Comedy Quotes
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Comedy prepared me for drama. There are a couple techniques you can think of. One of my acting teachers said that comedy is like ping-pong, and drama is tennis. You take things a bit slower, so you do get to breathe more and take some more time.
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I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.
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I don't know if there is a gene for comedy, but my dad was a very funny man. He just didn't know it. He was a naturally funny character, and when my brother and I would laugh at things he said and did, he would say, 'What do you think is so funny?'
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I didn't set out to write some female-empowering movie; I just wanted to write a funny college comedy.
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When the target audience is American teenage kids, you can have problems. My generation prized really fine acting and writing. Sometimes you have to go back to the basic principles which underpin great visual comedy.
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There is certainly a higher percentage of wit in British comedy than in American comedy. What always tickles me is the way in which people try to use their intellect to get themselves out of tricky situations but never quite manage to do so - much to their enormous embarrassment.
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I want to educate people and deliver news that isn't just surrounded by Charlie Sheen. I'd like to be able to do the serious stuff in conjunction with the comedy.
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Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
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A lot of the stuff that I've done has been more drama and less comedy. I've had some opportunities to do some comedy, and I've often wanted to do that because it fits with me very comfortably because I talk too much, and I'm always saying the wrong thing all the time.
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If the goal is to be believable when you're acting, I've got the best idea of what that believability might look and feel like. And because you need a normal guy in a comedy so that the eccentricities can pop, that's a good part for me.
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What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
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The two things I understand best are stand-up comedy and martial arts. And those things require an ultimate grasp of the truth. You have to be objective about your skills and abilities to compete in both.
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I think that in any role you have, whether TV or film, it's hard to do comedy and drama within one story.
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The entire New York comedy scene has moved to L.A. - it's bled the New York comedy scene dry.
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Sitcoms routinely portray women hitting men, almost never portray men hitting women. When he fails to leave, it is not called 'Battered Man Syndrome'; it is called comedy.
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Above all, in comedy, and again and again since classical times, passages can be found in which the level of representation is interrupted by references to the spectators or to the fictive nature of the play.
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If you think of the people who are funny in your life, you'll note it's not because they tell jokes, it's because of their character. If you develop characters, then you'll know them, and you'll know how they'll speak. The comedy will come out of the character.
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I do comedy shows. I make fun of myself, first of all.
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I would love to do comedy.
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I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
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I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
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I've gotten very cynical and kind of anhedonic about all the things I have to do to get to do comedy: all the travel, hotels, and airports.
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People like Bill Murray are incredible at what they do and are definitely my flavour. Although Will Ferrell, Sacha Baron Cohen and Ricky Gervais are also incredible actors. In their comedy, they make these stupid people feel so real. These guys are really setting the bar very high, and I learn as much from them about acting as I do about comedy.
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The object of a comedy is not to correct morals or ridicule the vices of society; no, a comedy should depict the discrepancies between life and purpose, should be the fruit of bitter indignation aroused by the degradation of human dignity, should be sarcasm, and not an epigram, convulsive laughter and not an amused grin, should be written with bile and not diluted salt, in a word, it should embrace life in its highest significance.
